animalover
Hey guys so ive been thinking of getting a tattoo for years but i never though of anything and my family has always been against it. Well bottom line is im getting a paw print tattoo in memory of my dog (had him for 10 yrs) with his name on it OR with The mickey face outline thing (the disney one) because he had a mark on his leg that look exacly like the mickey one but im not planning on telling my parents or anyone but my cousin so i need some hidden locations?? I was thinking on the place where the bra goes under your armpit?? Or something like that?? Because it also need to be hidden when im wearing bathing suits and stuff? Please give me some ideas! This is very important to me
Answer
Listen closely to your tattoo artists. And take the time to choose your tattoo artists wisely. So here they are in apparent order of preference:
1. Lower Back Tattoos - This is probably the first choice as a location for a woman getting her first tattoo. Sexy, sensual, exposed at the beach but covered up at the office. May be shared with a lover but hidden from the rest of the world - especially parents and Grandma. Celebs like Angelina Jolie her her lower back tiger tattoo and Jessica Alba's bow are two examples of lower back tattoos.
2. Wrist Tattoos - popular with starlets. And can be hidden under a watch or bracelet if need be. Winston Churchill's mother had a snake encircling her wrist. Examples would be Lindsay Lohan for her wrist tattoo "breathe" and Eminem for wrist tattoos.
3. Foot Tattoos - A famous holiday vacation splurge. The problem is that tattoos on feet tend to need a lot of touching up because of their propensity to fade quickly. Carrie Otis and Charlize Theron are known for their foot tattoos.
4. Ankle Tattoos - Popularized by super models Christy Turlington and Stephanie Seymour. Can be very delicate or a bold tribal design. Check out an entire gallery of celebrity ankle tattoos
5. Armband Tattoos (true, not a specific body part) - Was once the staple in tattoo parlors around the world. Seemed like other guy in the frat house had one. Pamela Anderson triggered a wave of barbwire. The tribal armband has bought a lot of tattoo artists a new Harley.
6. Back Tattoos (also, back-piece tattoos) - The largest blank canvas on the human body. Most tattoo artists will advise you to go as large as you can comfortably mange, and then go larger. Tattoos can be an alluring enthusiasm. You may think you just want one - and which tattoo artist hasn't heard that a thousand times or more - but keep in mind when choosing your tattoo design and placement how you might incorporate it into an even larger and more elaborate piece. Check out Lena Headey, 50 Cent & LeBron James for back tattoos.
7. Arm Tattoos (which often specifies, upper arm, lower arm, forearm, shoulder and even sleeves) - see Back Tattoos. A single Koi, can in time, become an entire Japanese inspired sleeve. See Amy Winehouse, David Beckham and Anouk for examples of arm tattoos.
8. Chest Tattoos - Pectorals are a favorite spot to make a man's chest look larger. And before you ladies protest, please see number nine. Examples of chest tattoos are Lenny Kravitz and Dwayne "The Rock" Johnson.
9. Breast Tattoos (we're standing firm on the differences between chests and breasts) - Requests for information about breast tattoos has been so popular over the years that I wrote an article entirely on that premise, called "Gilding the Lily: Why We Tattoo Breasts" Examples are Teri Polo, Christina Ricci's Blue-bird and rapper Eve.
10. Neck Tattoos - Once a taboo area for most tattoo artists and tattoo enthusiasts, the explosion in tattooing in recent years has pushed back the boundaries of what meets the community standards of acceptable body art and tattoos. Where once men and women would have full tattoo body suits, necks hands and feet were left untouched so that an individual could "cover-up" their tattoos with a suit or long dress and pass incognito in a crowd or at certain conservative social functions. musicians and tattoo artists, individuals whose independent sources of income and public reputation as "outlaws, rogues and scoundrels", has allowed them in recent years to get tattoos that were once entirely associated with gang members or individuals who had spent time in prison. But if you want to get a job in a bank when your garage band folds, you might want to think twice. See Allen Iverson for neck tattoos. Robbie Williams has a neck tattoo as well.
Listen closely to your tattoo artists. And take the time to choose your tattoo artists wisely. So here they are in apparent order of preference:
1. Lower Back Tattoos - This is probably the first choice as a location for a woman getting her first tattoo. Sexy, sensual, exposed at the beach but covered up at the office. May be shared with a lover but hidden from the rest of the world - especially parents and Grandma. Celebs like Angelina Jolie her her lower back tiger tattoo and Jessica Alba's bow are two examples of lower back tattoos.
2. Wrist Tattoos - popular with starlets. And can be hidden under a watch or bracelet if need be. Winston Churchill's mother had a snake encircling her wrist. Examples would be Lindsay Lohan for her wrist tattoo "breathe" and Eminem for wrist tattoos.
3. Foot Tattoos - A famous holiday vacation splurge. The problem is that tattoos on feet tend to need a lot of touching up because of their propensity to fade quickly. Carrie Otis and Charlize Theron are known for their foot tattoos.
4. Ankle Tattoos - Popularized by super models Christy Turlington and Stephanie Seymour. Can be very delicate or a bold tribal design. Check out an entire gallery of celebrity ankle tattoos
5. Armband Tattoos (true, not a specific body part) - Was once the staple in tattoo parlors around the world. Seemed like other guy in the frat house had one. Pamela Anderson triggered a wave of barbwire. The tribal armband has bought a lot of tattoo artists a new Harley.
6. Back Tattoos (also, back-piece tattoos) - The largest blank canvas on the human body. Most tattoo artists will advise you to go as large as you can comfortably mange, and then go larger. Tattoos can be an alluring enthusiasm. You may think you just want one - and which tattoo artist hasn't heard that a thousand times or more - but keep in mind when choosing your tattoo design and placement how you might incorporate it into an even larger and more elaborate piece. Check out Lena Headey, 50 Cent & LeBron James for back tattoos.
7. Arm Tattoos (which often specifies, upper arm, lower arm, forearm, shoulder and even sleeves) - see Back Tattoos. A single Koi, can in time, become an entire Japanese inspired sleeve. See Amy Winehouse, David Beckham and Anouk for examples of arm tattoos.
8. Chest Tattoos - Pectorals are a favorite spot to make a man's chest look larger. And before you ladies protest, please see number nine. Examples of chest tattoos are Lenny Kravitz and Dwayne "The Rock" Johnson.
9. Breast Tattoos (we're standing firm on the differences between chests and breasts) - Requests for information about breast tattoos has been so popular over the years that I wrote an article entirely on that premise, called "Gilding the Lily: Why We Tattoo Breasts" Examples are Teri Polo, Christina Ricci's Blue-bird and rapper Eve.
10. Neck Tattoos - Once a taboo area for most tattoo artists and tattoo enthusiasts, the explosion in tattooing in recent years has pushed back the boundaries of what meets the community standards of acceptable body art and tattoos. Where once men and women would have full tattoo body suits, necks hands and feet were left untouched so that an individual could "cover-up" their tattoos with a suit or long dress and pass incognito in a crowd or at certain conservative social functions. musicians and tattoo artists, individuals whose independent sources of income and public reputation as "outlaws, rogues and scoundrels", has allowed them in recent years to get tattoos that were once entirely associated with gang members or individuals who had spent time in prison. But if you want to get a job in a bank when your garage band folds, you might want to think twice. See Allen Iverson for neck tattoos. Robbie Williams has a neck tattoo as well.
Maori / Polynesian Tattoo Designs?
too_fast_f
i want to know descriptions of specific designs
Answer
what do u mean by discriptions..
http://en.wikipedia.org/wiki/Tattoo
http://en.wikipedia.org/wiki/History_of_tattoos
Samoa
When the Samoan Islands were first seen by Europeans in 1722 three Dutch ships commanded by Jacob Roggewein visited the eastern island known as Manua. A crew member of one of the ships described the natives in these words, âThey are friendly in their speech and courteous in their behavior, with no apparent trace of wildness or savagery. They do not paint themselves, as do the natives of some other islands, but on the lower part of the body they wear artfully woven silk tights or knee breeches. They are altogether the most charming and polite natives we have seen in all of the South Seasâ¦"
The ships lay at anchor off the islands for several days, but the crews did not venture ashore and didnât even get close enough to the natives to realize that they were not wearing silk leggings, but their legs were completely covered in tattoos.
In Samoa, the tradition of applying tattoo, or tatau, by hand has been unbroken for over two thousand years. Tools and techniques have changed little. The skill is often passed from father to son, each tattoo artist, or tufuga, learning the craft over many years of serving as his father's apprentice. A young artist-in-training often spent hours, and sometimes days, tapping designs into sand or tree bark using a special tattooing comb, or au. Honoring their tradition, Samoan tattoo artists made this tool from sharpened boar's teeth fastened together with a portion of the turtle shell and to a wooden handle.
Traditional Samoan tattooing of the âpe'aâ, body tattoo, is an ordeal that is not lightly undergone. It takes many weeks to complete. The process is very painful and used to be a necessary prerequisite to receiving a matai title; this however is no longer the case. Tattooing was also a very costly procedure.
It was not uncommon for half a dozen boys to be tattooed at the same time, requiring the services of four or more artists. It was not just the men who received tattoos, but the women too; their designs are of a much lighter nature rather than having the large areas of solid dye which are frequently seen in menâs tattoos. The tattooing of women was not nearly as ritualized like menâs were.
Samoan society has long been defined by rank and title, with chiefs (ali'i) and their assistants, known as talking chiefs (tulafale). The tattooing ceremonies for young chiefs, typically conducted at the time of puberty, were part of their ascendance to a leadership role. The permanent marks left by the tattoo artists would forever celebrate their endurance and dedication to cultural traditions. The pain was extreme and the risk of death by infection was a concern; to back down from tattooing was to risk being labeled a âpala'aiâ or coward. Those who could not endure the pain and abandoned their tattooing were left incomplete, would be forced to wear their mark of shame throughout their life. This would forever bring shame upon their family so it was avoided at all cost.
The Samoan tattooing process used a number of tools which remained almost unchanged since their first use. âAutapuluâ is a wide tattooing comb used to fill in the large dark areas of the tattoo. âAusogi'aso teleâ is a comb used for making thick lines. âAusogi'aso laititiâ is a comb used for making thin lines. âAumogoâ small comb is used for making small marks. âSausauâ is the mallet is used for striking the combs. It is almost two feet in length and made from the central rib of a coconut palm leaf. âTulumaâ is the pot used for holding the tattooing combs. Ipulama is the cup used for holding the dye. The dye is made from the soot collected from burnt lama nuts. âTu'Iâ used to grind up the dye. These tools were primarily made out of animal bones to ensure sharpness.
The tattooing process itself would be 5 sessions, in theory. These 5 sessions would be spread out over 10 days in order for the inflammation to subside. The steps are as follows.
I. O le Taga Tapulu (back and small of the back) In the first session the height to which the tattoo will rise is decided (Ano le Tua), this is always such that the top of the design will show above the lavalava. Then the va'a, pula tama and pula tele are outlined and the design filled in.
II. O le Taga Fai'aso (the posterior) The aso fa'aifo are completed around to the abdomen and the 'asolaititi are finished. Next to be added are the saemutu, which vary in number depending upon social status. A matai will have four an orator three and anyone else would have two. Where it meets the 'ivimutu at the anus it is called tafaufile, where it covers the perineum it is called tasele, where it covers the scrotum it is called tafumiti and the area over the penis is called tafito. Needless to say this is very painful.
III. Taga Tapau The lausae, an area of solid tattooing, is added to the thighs beneath the aso e lua.
IV. Taga o Fusi ma Uluma
what do u mean by discriptions..
http://en.wikipedia.org/wiki/Tattoo
http://en.wikipedia.org/wiki/History_of_tattoos
Samoa
When the Samoan Islands were first seen by Europeans in 1722 three Dutch ships commanded by Jacob Roggewein visited the eastern island known as Manua. A crew member of one of the ships described the natives in these words, âThey are friendly in their speech and courteous in their behavior, with no apparent trace of wildness or savagery. They do not paint themselves, as do the natives of some other islands, but on the lower part of the body they wear artfully woven silk tights or knee breeches. They are altogether the most charming and polite natives we have seen in all of the South Seasâ¦"
The ships lay at anchor off the islands for several days, but the crews did not venture ashore and didnât even get close enough to the natives to realize that they were not wearing silk leggings, but their legs were completely covered in tattoos.
In Samoa, the tradition of applying tattoo, or tatau, by hand has been unbroken for over two thousand years. Tools and techniques have changed little. The skill is often passed from father to son, each tattoo artist, or tufuga, learning the craft over many years of serving as his father's apprentice. A young artist-in-training often spent hours, and sometimes days, tapping designs into sand or tree bark using a special tattooing comb, or au. Honoring their tradition, Samoan tattoo artists made this tool from sharpened boar's teeth fastened together with a portion of the turtle shell and to a wooden handle.
Traditional Samoan tattooing of the âpe'aâ, body tattoo, is an ordeal that is not lightly undergone. It takes many weeks to complete. The process is very painful and used to be a necessary prerequisite to receiving a matai title; this however is no longer the case. Tattooing was also a very costly procedure.
It was not uncommon for half a dozen boys to be tattooed at the same time, requiring the services of four or more artists. It was not just the men who received tattoos, but the women too; their designs are of a much lighter nature rather than having the large areas of solid dye which are frequently seen in menâs tattoos. The tattooing of women was not nearly as ritualized like menâs were.
Samoan society has long been defined by rank and title, with chiefs (ali'i) and their assistants, known as talking chiefs (tulafale). The tattooing ceremonies for young chiefs, typically conducted at the time of puberty, were part of their ascendance to a leadership role. The permanent marks left by the tattoo artists would forever celebrate their endurance and dedication to cultural traditions. The pain was extreme and the risk of death by infection was a concern; to back down from tattooing was to risk being labeled a âpala'aiâ or coward. Those who could not endure the pain and abandoned their tattooing were left incomplete, would be forced to wear their mark of shame throughout their life. This would forever bring shame upon their family so it was avoided at all cost.
The Samoan tattooing process used a number of tools which remained almost unchanged since their first use. âAutapuluâ is a wide tattooing comb used to fill in the large dark areas of the tattoo. âAusogi'aso teleâ is a comb used for making thick lines. âAusogi'aso laititiâ is a comb used for making thin lines. âAumogoâ small comb is used for making small marks. âSausauâ is the mallet is used for striking the combs. It is almost two feet in length and made from the central rib of a coconut palm leaf. âTulumaâ is the pot used for holding the tattooing combs. Ipulama is the cup used for holding the dye. The dye is made from the soot collected from burnt lama nuts. âTu'Iâ used to grind up the dye. These tools were primarily made out of animal bones to ensure sharpness.
The tattooing process itself would be 5 sessions, in theory. These 5 sessions would be spread out over 10 days in order for the inflammation to subside. The steps are as follows.
I. O le Taga Tapulu (back and small of the back) In the first session the height to which the tattoo will rise is decided (Ano le Tua), this is always such that the top of the design will show above the lavalava. Then the va'a, pula tama and pula tele are outlined and the design filled in.
II. O le Taga Fai'aso (the posterior) The aso fa'aifo are completed around to the abdomen and the 'asolaititi are finished. Next to be added are the saemutu, which vary in number depending upon social status. A matai will have four an orator three and anyone else would have two. Where it meets the 'ivimutu at the anus it is called tafaufile, where it covers the perineum it is called tasele, where it covers the scrotum it is called tafumiti and the area over the penis is called tafito. Needless to say this is very painful.
III. Taga Tapau The lausae, an area of solid tattooing, is added to the thighs beneath the aso e lua.
IV. Taga o Fusi ma Uluma
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Title Post: Good place for hidden tattoo?? ?
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Thanks For Coming To My Blog
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